In recent years, there has been a growing trend in contemporary cartography that moves beyond the traditional representation of physical landscapes. This new approach utilizes fictional geographies that challenge our understanding of space and place, and opens up new possibilities for creative storytelling.
Fictional geographies in cartography refer to the intentional creation of imaginary places on maps. These places may exist only in the minds of their creators or may be based on existing landscapes. This departure from reality has given cartographers the freedom to experiment with different visual elements, such as scale, orientation, and symbology, to create new and unique maps.
One of the most notable examples of this trend is the work of artist and cartographer, Denis Wood. In his book, “The Power of Maps,” Wood describes the use of fictitious maps as a way to “break the stranglehold of tradition and allow new ideas, new interpretations, new perspectives to come to light.”
Wood’s own map, “The Boylan Heights Map,” depicts a fictional neighborhood in Raleigh, North Carolina. The map is not meant to represent an actual physical location, but rather a conceptual space that reflects the complex and diverse social interactions and relationships within the community. By using fictional elements, such as made-up street names and exaggerated geography, Wood is able to convey a deeper understanding of the neighborhood’s history and identity.
In a similar vein, artist and cartographer Joyce Kozloff creates maps that merge real and imagined places to challenge our perceptions of traditional mapping. Her series, “Cities on the Move,” depicts cities from different time periods and cultures merged together to form new and unexpected urban landscapes. These maps explore the impact of migration and globalization on the physical and cultural landscapes of cities, while also blurring the lines between reality and imagination.
Beyond the realm of traditional cartography, fictional geographies have also found a place in popular culture. The worldbuilding in fantasy and science fiction literature often includes detailed maps that help readers visualize and understand the fictional worlds created by the authors. These maps, often crafted by talented artists, not only enhance the reading experience but also add a sense of authenticity to the fictional universe.
One of the most iconic examples of this is J.R.R. Tolkien’s map of Middle Earth, which offers a glimpse into the fantasy world of “The Lord of the Rings” and “The Hobbit.” The map, with its intricate details and handwritten notations, has become an essential part of the storytelling and has even inspired real-world explorations and adventures.
Another notable example is the fictional map of Westeros, created by author George R.R. Martin for his “A Song of Ice and Fire” series, which was turned into the hit TV show, “Game of Thrones.” The map plays a crucial role in understanding the complex political landscape of the story and has become a fan favorite for its detailed depiction of the vast and diverse fictional continent.
In conclusion, fictional geographies in contemporary cartography allow for a more imaginative and creative approach to mapmaking. By breaking away from the constraints of reality, these maps offer us a new perspective on familiar places and open up a world of possibilities for storytelling and exploration. Whether used as a tool for social and cultural commentary or as a means of escapism, fictional geographies show that the world on a map is not just limited to what exists in the real world, but also what can be imagined.